à la brune

Influence : Art.
Context : Life.
Subject : Me.
Ask me anything. Almost.


OkayAfrica helps US artist Erykah Badu discover her ancestral African roots.

As part of their on-going series, ‘The Roots of…’, aimed at helping African-American artists find out and explore part of their African ancestry, this episode features singer Erykah Badu using DNA to trace the ethnic group of West Africa from which her maternal ancestors came from.

Swimming Pools

Coincidentally, we’re at the Piscine Olympique, or National Olympic
Swimming Pool. And been asked to think critically about the place and its

Kendrick Lamar’s song, Swimming Pools:

"Nigga, why you babysitting only two or three shots?
I’mma show you how to turn it up a notch
First you get a swimming pool full of liquor, then you dive in it
Pool full of liquor, then you dive in it
I wave a few bottles, then I watch ‘em all flock
All the girls wanna play Baywatch
I got a swimming pool full of liquor and they dive in it
Pool full of liquor, I’mma dive in it”

My cousin, CyCy, has a really suave cover of the


Isn’t life the craziest shit you’ve ever known?

No, really. Isn’t it?

Drink Salesman, Venice Beach 2013 by John Humble.

Kalakuta Queen.

Five African Films that Highlight Mothers (and Mother Figures).


There are not one but two women in this film that are wonderful mother figures. The first, and most prominent in the film, is Whoopi Goldberg’s character. An inspiring woman from the moment we meet her, Mary Masombuka is not only a teacher, but a woman who’s vision of black liberation in apartheid South Africa propels her to defy racist and brutal authorities. Where Masombuka lacks the vigor of youth, Sarafina fills in and fulfills the dreams that cannot be contained to the four walls of their classroom. But let’s not forget Sarafina’s real mother played by the unforgettable Miriam Makeba. Although in this part of the film we see Sarafina almost mocking her mother’s complacency as a domestic worker, we know that Sarafina sees beyond their circumstances to understand the sacrificial nature of this relationship.


Dedicated wife, mother and friend, Yesterday (played by Leleti Khumalo) is a hard-working young woman living in the Zululand village of Rooihook whose life takes a sudden turn for the worst when she discovers that she’s infected with HIV/AIDS. As she confronts her husband, a migrant labourer working in the mines, his violent reaction and rejection of her and her young daughter, Beauty, shocks Yesterday but also makes her more dedicated to ensure that Beauty receives an education and is taken care of when Yesterday is no longer around.


A single mother who divorced her abusive husband, Mati (Rokhaya Niang) toils daily by selling various goods at a nearby market, which she transports there via a large wheelbarrow — prompting local residents to dub her “Madame Brouette.”


Perhaps one of the most cinematically beautiful films ever made, this diaspora film by directer Julie Dash is full of women of various generations who are more than inspiring in their own right.


Dedicated to the mother of the film director, Faraw tells the story of Zamiatou - a woman who more than fulfills her role as a dutiful wife and mother for her Sahelian family. It’s a difficult and burdensome life for her and, tired of seeing her mother suffer, Zamiatou’s daughter Hareyrata offers to work as a maid for rich French tourists, but her mother refuses. However, it’s not long before Zamiatou has to find a job of her own to support her family.

We just updated our list of black artists on tumblr!


NEW MUSIC: Caramelbrown - Swimming Pools (Drank).

Swiss-based music duo Caramelbrown perform a soulful and soothing rendition of Kendrick Lamar’s hit song ‘Swimming Pools (Drank)’.

Find them on:

Spring style !

Earrings Casa di Culture | Jacket Thrifted | Dress H&M 

The Problem With Little White Girls (And Boys), Why I Stopped Being A Voluntourist 

Taken at DanceAfrica 2013.


General Colin Powell’s vintage “selfie”.

Via Facebook.

A poignant and striking digital collage piece by Prisco III on African (im)migration that hits where it hurts and speaks to the heart.

(submitted by abidjanaise)

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